Vietnam 1973. After a brutal Vietcong attack, American sniper Calvin Hart and his injured spotter Thomas Newton must fight their way through enemy territory with limited resources to reach their rescue team. While communicating via radio with their sergeant, the soldiers become the targets of bounty hunters, assassins and the VC's best sharpshooters. With Newton dying fast and Hart losing his sanity even faster, the pair faces immeasurable odds made worse by a haunting obligation waiting back at home.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
This holiday movie serves as the prequel to the TV series The Really Loud House.
This animated kids' movie shows viewers two different species--jungle animals and aliens--and how both species coexist.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
