Easy Money III: Life Deluxe 

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Although Tuner is technically a heist movie, music and sound are woven into almost every aspect of Niki’s story. That’s what made Tuner such a pleasant surprise. I expected a film about music and discovered a heist movie, only to find that music was still at the heart of it.

Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.

From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.