Mortal Kombat: Scorpion’s Revenge Gives Fans a Gory Good Time
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.

Office worker Ranhee is a cinephile who once dreamt of being an independent film director. Several years ago, she had to put an end to her gloriously drafted independent feature film and went off the grid. She heads to a bar to meet her friend Seonjun who used to make films together. There she bumps into Xingxing, the starring actress of her flop. Xingxing still features in independent films and builds her career. She is with director Ki, the producer of her upcoming film. Xingxing suggests that the three sit together. Director Ki is insensitive and crude as if those features represent a true artist. When he begins to talk about Ranhee’s film, she can’t help but become very sensitive.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
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Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.