Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.

Gaetano and Gennaro Tavani are two brothers on the threshold of fifty, they are nine months apart from each other. The first, Gaetano, has little acting experience behind him, while the second, Gennaro, has written some screenplays in the past and directed some small films as a director. Together they opened a "cinematic" production company, Tavani Brass, mainly dealing with small commercials, pre-eighteenth birthday videos and weddings. Their dream is to be able to make a successful film. Given Checco Zalone's exploits, the two propose to an unknown Neapolitan singer, Chicco Resina, to create a product capable of intercepting the success of the blockbuster film in Italy.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
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