Teresa is a soap-opera actress. Meeting again an old passion brings her back apparently lost memories, leading her to question not only her love life but also her career options. In the studio, the daily work is spiced by the frenzy group of younger actors. After all, they all ask the same question: where does happiness lies?
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?
