"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

In the Caucasus, among the picturesque mountains there is a guerrilla war between the Whites from Bicherakhov’s division and the Red Army soldiers. The Chechen girl Dzhalma finds an injured Ukrainian guy Mykola in a valley. She saves his life and helps him to recover. Young people fall in love with each other, and after the Bolshevik’s victory both of them travel to Ukraine. Dzhalma ends up in a traditional Ukrainian village.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Ralph and Vanellope unpack lots of surprises for those who love going on the Internet.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.