'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

A mother and son’s generational clash over the American Dream and fulfillment at home boils over at a Filipino family dinner, erupting in a battle for the last lumpia – the dreaded “dyahe piece.”
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.