Dug is the Real Hero of Disney/Pixar’s “Up”
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.

After a perfect bank heist, three criminals high-tail it to an old cabin in the woods to split the $100,000 they stole. Little do they know that an alien being from a crashed saucer is prowling the woods for food. The suspense tightens as greed, fear, and paranoia split the group apart as the hungry creature closes in on them. Terror and shock in the usual Polonia Brothers tradition!
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.