Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Dus Tola
Dus Tola is a 2010 Hindi comedy and drama film, remade from the Hit Malayalam film of the 80's Ponmuttayidunna Tharavu, directed by Ajoy Varma and starring Manoj Bajpai in the lead role. Dus Tola was released on 22 October 2010. Distributed in the U.S. and co-produced by Warner Bros., it is the forth Bollywood movie made and distributed in partnership with a major Hollywood studio, following Sony's Saawariya (2007) and Walt Disney Pictures' animated feature Roadside Romeo (2008) and Warner Bros. Pictures' Chandni Chowk To China (2009). It is the second Hindi film under the banner of Warner Bros. Pictures
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Dus Tola is a 2010 Hindi comedy and drama film, remade from the Hit Malayalam film of the 80's Ponmuttayidunna Tharavu, directed by Ajoy Varma and starring Manoj Bajpai in the lead role. Dus Tola was released on 22 October 2010. Distributed in the U.S. and co-produced by Warner Bros., it is the forth Bollywood movie made and distributed in partnership with a major Hollywood studio, following Sony's Saawariya (2007) and Walt Disney Pictures' animated feature Roadside Romeo (2008) and Warner Bros. Pictures' Chandni Chowk To China (2009). It is the second Hindi film under the banner of Warner Bros. Pictures
Rating:
Genre:Comedy, Drama
Written By:
In Theaters:
Box Office:
Runtime:145 minutes
Studio:
Articles You May Like
The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
'Ariana Grande: Excuse Me, I Love You'
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
"Him" - All Flash, No Game
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The Fantastic World of ‘Barbie’
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.
A gay ice skating anime made me believe in love again
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.