Everything is ready for Ferdi and Necla to get married. However, Ferdi has to leave town for a short time due to a last-minute business trip. Necla's mother, who wants to marry her off to a wealthy man, does everything she can to end the relationship. She pressures Necla to be with Murat. When Ferdi returns to Istanbul, he has lost Necla. The only thing left for him to do is to confront Murat.
Earth and Blood is slow, but it still has it’s entertaining moments. If you’re into thrillers, or want to watch something new, then this film might be for you. As for me, Earth and Blood was tolerable enough.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.
