Ryan Dunn from "Jackass" and Vincent Margera (aka Don Vito) from "Viva la Bam" team up for a cross-country road trip to showcase a new collection of insanely dangerous exploits -- and to drag willing audience members into the senseless stunts -- in a series of live events. This compilation features tons of pain-inducing moments, gross-outs and a small riot in Montreal. Musical guests include pop-punk bands Open Hand, Fight Paris and Disengage.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
