"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

How hard is it to kill an idiot? Just ask Kudo Kankuro! The acclaimed screenwriter brings his 2004 Kunio Kishida-winning stage play Donju (a.k.a. Dumb Animal) to the big screen in all its wacky tragicomedic glory. The one and only Asano Tadanobu sports a seriously nerdy bowl haircut to play the leading role of simple-minded novelist Dekogawa who has mysteriously disappeared. Dekogawa wrote an autobiography about his youth that reveals not only his past, but also some of his childhood friends’ best-forgotten secrets. In order to keep the skeletons in the closet, these buddies of yesteryear try to silence him permanently. But no matter how hard they try to kill Dekogawa, he just keeps coming back – because he’s simply too thickheaded to die!
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
A tale of legendary hunters and monsters that reminds us once more not to judge a book by its cover. Enjoy this heartwarming sea shanty with a well-done plot twist.