Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Duan, a Mak Yong artist, migrates to Kuala Lumpur at the insistence of his parents after being involved in a fight in the village. He meets his friends from the village and works in various part-time jobs but his new life in the city does not prevent him from continuing to be active in the arts of Mak Yong that has been integrated in his soul. He clashes with a group of criminals when he tries to save a girl. She is kidnapped because of a past revenge that had caused the brother of a criminal leader to be sentenced to death for killing her boyfriend.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Mulan had to struggle to feel like herself and see herself properly. Some of us have to strive to have our reflection mimic what’s inside. We have to crawl. We have to fight.