'Love, Victor' Season 3 Review: Disney+ Means More Disney Fluff
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
Drusilla with a Million (1925)
Drusilla Doane is a charity inmate at an old-ladies' home who inherits a million dollars. Someone leaves a baby on the porch. And someone else leaves another, and soon Drusilla, who always wanted a child of her, in now in charge of a large brood of children, and very happy about it. But there may be a problem; the real heir to the money shows up.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Drusilla Doane is a charity inmate at an old-ladies' home who inherits a million dollars. Someone leaves a baby on the porch. And someone else leaves another, and soon Drusilla, who always wanted a child of her, in now in charge of a large brood of children, and very happy about it. But there may be a problem; the real heir to the money shows up.
Rating:NR
Genre:Drama
Written By:Lois Zellner
In Theaters:6/18/1925
Box Office:
Runtime:70 minutes
Studio:Associated Arts Corporation
Articles You May Like
Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
'The Suicide Squad' Is Gory, Gratuitous, but Great
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
The 'Bigfoot Family' is Back in Town
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
'Mr. Malcolm's List' Is A Lighter Version of 'Bridgerton'
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.