Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Dérive
Cinematographer Eric Eduarte Villa traveled to Mexico City between 2014 and 2016 based on the Theory of the Dérive, the part of situationist philosophy which tries to make trips without an apparent destination, just to enjoy the exploration of urban geography.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Cinematographer Eric Eduarte Villa traveled to Mexico City between 2014 and 2016 based on the Theory of the Dérive, the part of situationist philosophy which tries to make trips without an apparent destination, just to enjoy the exploration of urban geography.
Rating:
Genre:
Written By:
In Theaters:
Box Office:
Runtime:60 minutes
Studio:
Cast
Articles You May Like
“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Tragedy Girls
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
No Problem with 'Beef'
"Beef" is a new dark comedy with a near entire Asian-American cast
There is Strength in Silence: An Incluvie Film Festival Review of “Kung Fu Chit”
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
Pixar’s Objectification Obsession in “Inner Workings” and Beyond
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.