Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Drifts
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.
Rating:
Genre:Documentary
Written By:Nayra Sanz Fuentes
In Theaters:
Box Office:
Runtime:19 minutes
Studio:Rinoceronte Films S.L.
Cast
Articles You May Like
Bros Being Bros: The Resurrection of the Rom-Com
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
"A Big Bold Beautiful Journey" (2025) Film Review-Taking a risk to love and trust again via fantastical, shared paths
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The Woman in the Window is a Poor Attempt at an Intriguing Story
Have a Good Trip: Netflix Takes You on an Adventure Into the Reality of Psychedelics
Have a Good Trip offers a rather balanced look at psychedelic use. While its main narrative is the stories of recreational use by celebrities, it does delve into the medical history of psychedelics and its use in psychotherapy.
What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.