"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

Since the Russian invasion of Ukraine, many Russians have started having dreams about their president and sharing them on social media. More than a thousand dreams about Putin have now been recorded and posted on public platforms. In Dreams About Putin, a selection of these dreams have been brought to life using Unreal Engine, a 3D graphics program for creating scenes for computer games. In this exciting experiment with form, the animations are complemented by rare archival footage of the Russian president. The dreams are related by a narrator, and their “translation” into 3D scenes is not literal; likewise, the archival footage has been lightly edited. The result is sometimes dryly comic, sometimes absurdist, sometimes disturbing, and sometimes even hopeful. A series of bizarre but therefore oddly familiar nightmares as a vision of Putin’s Russia.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
If you’re also a major fan of the familiar strangers story between two people of different generations, here are 5 underrated films you probably haven’t heard of, but might thoroughly enjoy.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.