'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

In 2050, a new technology is developped: it allows people to enter the dream world of someone else by using a special headwear. Detective Yu wants to use her technology in order to solve his case. Researcher Lan Xiao Wei agrees, as she thinks the case was connected to her mother's coma. As Xiao Wei linked herself to the dream world of an unconscious victim, the detective follows her in secret. The two of them experience all kinds of dangers in the dream world.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.