Parasite: A Para-Sight for Sore Eyes.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.

Is our life a story? And if so, can we re-write it? In Drama Girl, director Vincent Boy Kars gets a young woman to act out a number of key scenes from her recent past. Perhaps, Kars thinks, this could help her come to terms with certain events. In the meantime, he also gains something: a film that probes how fiction and documentary can learn from one another.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.