“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

On the way to Beijing poor student Li Xiuyuan meets professional demon catcher Yin Pingzhi who imprisoned soul of three-year old white dragon Xiao Qinglong. After accidental mistake white dragon essence entered in Li'body and student take two sets of souls. But Li Xiuyuan continues his journey to the capital and befriends a depressed female demon hunter, Sansheng, who is at the bottom of the list. At first, Sansheng wants to catch the Dragon Demon to fulfill his wish to be in the top ten, but after getting to know Li Xiu Yuan and the Little White Dragon, San Sheng is forced to take a closer look at their relationship.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
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