Quarantined with ‘The Platform’ a Horror/Thriller that Somewhat Parallels the Pandemic
It’s dark, uncomfortable, and there are things that don’t make sense.

As its full name, “Dracula: A Love Tale,” this film emphasizes the love story between Count Dracula, the prince of Romania, and his wife Elisabeta, the princess of Romania.
This is probably one of the most humanised Draculas that has ever been depicted on screen. The film starts with a montage of the couple's passionate domestic scenes inside their bedroom, highlighting their bohemian and eccentric lifestyle and an illusion of a world with just two persons. This illusion was quickly interrupted by a group of soldiers coming inside the bedroom and forcibly putting armors on him.
At the end of the 15th century, Romania was under the rule of the Kingdom of Hungary and indeed conducted successful military operations against the Ottoman Empire, similar to the plot of this film. Elisabeta unfortunately lost her life in the embrace of the prince after a futile escape. The extremely long lace veil she wore when she was riding the horse during the escape became the main character of this part. Dracula lost his faith in God, and after the declaration of the betrayal, he killed the priest, who was dressed like a Catholic pope.
In 19th-century England, a priest, played by Christoph Waltz, and a doctor identified a vampire, who was a ‘young’ socialite woman, played by Matilda De Angelis. The foxy and overexcited Maria, who represents the typical vampire woman in the original Dracula novel, offers the most captivating performance in the film, more than Caleb Landry Jones, Zoë Bleu, or even Christoph Waltz.

In late 15th-century Eastern Europe, Prince Vlad II’s bride is brutally murdered. As a result, he renounces God and damns Heaven itself. Cursed with eternal life, Vlad is reborn as Dracula, an immortal warlord who defies fate in a blood-soaked crusade to wrench his lost love back from death.
It’s dark, uncomfortable, and there are things that don’t make sense.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
As a frequent “the book was better” extoller, this movie was well worth the watch.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.