Another Simple Favor: Secrets, Style, and a Sip of Queer Representation
Emily and Stephanie are back... just add gin and drama.

This engaging tale begins in a modern-day dental office, where children are finishing up their dental checkups. But before long. they are magically transported to a time and place long ago-where the smiles of Tooth Kingdom are under attack by Sorcerer Plakula and the Plaque Monsters! Throughout this animated adventure, the young heroes discover oral health solutions in their quest to save Tooth Kingdom. Guided by Dr. Rabbit and Dr. Brushwell, they learn about brushing, flossing, limiting snacks, and visiting the dentist regularly to keep the kingdom and their smiles healthy and bright! With a fun story and catchy original music, this video entertains while it teaches. And what's more - it's sure to leave your children smiling.
Emily and Stephanie are back... just add gin and drama.
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.