Whitest Season: Privilege Comes First in ‘Happiest Season’
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.

Dr. Jackie Stevenson is a Los Angeles based therapist and scientist who tries to invent a serum to separate the pure from the lustful side of the female psychosis. After she has an unsuccessful experiment with a female client named Martine, which drove her patient to insanity and to a mental hospital, Jackie tries part of the serum on herself and becomes her lustful alter ego Heidi Hyde; a voracious lesbian who prowls the streets of L.A. after dark looking for carnal pleasures.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.