Smokestacks rise like organ pipes over a coastal city, lined with oil refineries. Accidents at the plants occur with troubling regularity, and environmental disaster has become part of daily life. Residents protest the refinery’s planned expansion, even as they must coexist with the very neighbors who work there.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
