The chronology of Super Sentai may, at last, be at an end. A boy has arrived from the future to save the earth from catastrophe. Yamato and his team are not aware that they are part of the enemy's plans. The Ninningers, who once protected Earth, have returned! And this time, they believe the Zyuohger are Yokai monsters! This battle will be the end of both teams. Will the message of the future boy get to Yamato in time? An unbelievable roll call that brings together all the Rangers of the Super Sentai! In 2017 the battle of all battles begins!
Noboru Takemoto
Director
Masaki Nakao
Yamato Kazakiri / Zyuoh Eagle
Miki Yanagi
Sela / Zyuoh Shark
Tsurugi Watanabe
Tusk / Zyuoh Elephant
Haruka Tateishi
Amu / Zyuoh Tiger
Shohei Nanba
Leo / Zyuoh Lion
Naoki Kunishima
Misao Mondo / Zyuoh The World
Shunsuke Nishikawa
Takaharu Igasaki / AkaNinger
Gaku Matsumoto
Yakumo 'Cloud' Katou / AoNinger
Kaito Nakamura
Nagi Matsuo / KiNinger
Kasumi Yamaya
Kasumi Momochi / MomoNinger
Hideya Tawada
Kinji Takigawa / StarNinger
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.