Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Ray Pluto has many problems. He is satirized in the tabloids as the "loser cop." His partner is starting to seem suspiciously attracted to him. A pair of screenwriters across the hall keep bugging him for help. The superintendent of his building is stabbed by hoodlums hired by his own rebellious daughter. To top it off, a sexually aggressive chiropractor may just be Ray's undoing.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
In honor of AANHPI Month, let's celebrate Filipina-American pop star Olivia Rodrigo and her love of horror movies.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.