The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

As Nobita, Shizuka, Gian, and Suneo are auditioning for a role in their school's play based on "Journey to the West", the coveted role of Son Goku is hotly contested. After suggesting that the real Great Sage Equal to Heaven should play himself, knowing that the story is only a legend, Nobita and Doraemon go back in time to find their own fake Monkey King, but arrive in present day with the story's demons having taken over the world. The only way for things to go back to normal is for Nobita and pals to reenact the tale...for real!
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.