Julien Paluch is principled in everything: in his work and in his life. The formula "genius and debauchery" is not for him. His fanatical passion for new theatrical ideas attracts a wide variety of people to him. But one day in the director's life there comes a moment when Palyush begins to doubt that he is talented, and that his actions and relationships with people were selfless, sincere, and humane.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
