Euro-hottie Madison Parker leads the cast in John Leslie's gonzo paean to female desire fulfilled. As the title suggests, five stunning hard-bodied cuties have intense sexual needs that require porn's hardest fuckers. With a special emphasis on double penetrations and the double facial cumshots that follow, Leslie reminds us of the tried and true fare that his loyal viewers have come to expect: insanely pretty girls dressed to tease, perfect lighting and camera work that display the action and the reaction that is the essence of Leslie's psychological mastery of the sexual medium. Satiated at the end of this beggar's banquet, the only thing we want is the follow-up to John Leslie's Don't Make Me Beg 3.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Like most young people, Leviticus is imperfect. But I love it anyways.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
The film is a powerful narrative encompassing a theme that many people can identify with.
