Louis Theroux Takes Us "Inside the Manosphere" and It's Even Scarier Than You Expect
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.

In 1701, an insult led to a sword slash between the heads of the Ako clan and the Kira clan in Shogun's court. The head of the Ako clan was ordered to commit seppuku, and his loyal retainers plotted revenge against the Kira clan. This led to the legendary events known as the "47 ronin incident". However, unknown to most, the head of the Kira clan, Kozukenosuke Kira, is already dead from his wounds. Impersonating him is his slacker monk brother Takaaki, who has to prevent his brother's death being found out to protect his clan – and accidentally befriends Ooishi, the leader of the Ako men who wouldn't really want to go through with the revenge. Will Takaaki survive with his head?
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.