"Mercy" is a Pro-AI Sci-Fi Thriller that Barely Makes Sense
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.

Don Whillans and Joe Brown climbing Cemetery Gates (E1) on Dinas Cromlech in the Llanberis Pass. They made the first ascent 32 years before. They were good friends since they met in 1951. Tragically this was Don's last major climb as he died a few months later. Don Whillans, was a leading climber of his generation. Whillans climbed the Bonatti Pillar of the Dru and made the first ascent, along with Chris Bonington, Jan Długosz and Ian Clough of the Central Pillar of Freney on Mount Blanc. In 1962, with Chris Bonington, Whillans made the first ascent of the Central Tower of Paine, Patagonia. Later, with Dougal Haston, he made the first ascent of the south face of Annapurna. Whillans was known for his humour, safety and heavy drinking.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
What happens to an inseparable bond when love for competing morphs into competing for love?