“Boy”
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.

On the eve of her 65th birthday, Dolores has a premonition: her life is about to change. She will own a successful casino. However, her gambling addiction of the past may work against her. Deborah, her only daughter, waits for her boyfriend's release from prison to start a new life, whilst her granddaughter Duda clings to a chance of working in the United States. All three women will strive to make their dreams of a better life a reality, going for it all or nothing.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.