TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

Dollhouse: The Eradication of Female Subjectivity in American Popular Culture charts the rise and fall of fictional child pop star Junie Spoons as her life story (and the ensuing disasters) unfolds, as told by those who knew her. Set in the bubble gum pop world of Britney Spears and Lindsay Lohan and told a la VH1's Behind The Music, Junie's story tops itself one scandal after another as she rockets to international stardom and then faces the aftermath of a life under scrutiny.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
A science fiction movie brings a strong diverse cast and adventure in outer space.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.