'Joker' (2019)
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.

Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.