Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Toru is a vocational school student living with his older sister, Miyuki, and his dream is to become a film director. Miyuki takes care of everything from his tuition to his living expenses. One day, Toru finds a love doll abandoned at a garbage dump. He names the doll "Yui" and begins shooting a film with her as the lead.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Happy Halloween! If you were debating capping off Spooky Season with a viewing of Hocus Pocus 2, it is just very clear that this is more for the younger audience as opposed to people who grew up with the original.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.