"Mothra" Still Rocks
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
Dog Star Man: Part III (1964)
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.
Rating:
Genre:Drama
Written By:
In Theaters:11/17/1964
Box Office:
Runtime:11 minutes
Studio:
Cast
Articles You May Like
“The Owl House”: The First Bisexual Disney Hero
The Owl House has swiftly become one of Disney’s beloved cartoon series.
Indian Representation in Disney's Spin
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
"Bliss" is Magnetic Despite its Flaws
Review: The Roses – Marriage and the Sweet Taste of Revenge
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.