"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Running away from his past, a man finds himself wandering through fields in search of his soul. His life seemingly changes when he befriends a boy who decides to help him find a coveted box.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.