The End of “The End of Oak Street” is Oak Street
An attempt to capture nostalgia that unfortunately just doesn’t work

Martin, a child of the 21st century, through his telescope discovers Doctor Funes, the inventor of a formula to become young again and the envy of Doctor Moebius, who also wants to regain his youth. Martin goes to visit old Funes, but instead finds twelve year old Pablo, whom he shelters in his house without telling his parents what is going on. Pablo turns the biology teacher into a baby girl with a pacifier, and a group of the elderly into children. Martin dreams of a world of only children, but Doctor Moebius steals the formula, not knowing that its effects are unpredictable.
An attempt to capture nostalgia that unfortunately just doesn’t work
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.