Spider-Man: Into The Spider-Verse Tells Us to be Our Own Heroes.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.

Martin, a child of the 21st century, through his telescope discovers Doctor Funes, the inventor of a formula to become young again and the envy of Doctor Moebius, who also wants to regain his youth. Martin goes to visit old Funes, but instead finds twelve year old Pablo, whom he shelters in his house without telling his parents what is going on. Pablo turns the biology teacher into a baby girl with a pacifier, and a group of the elderly into children. Martin dreams of a world of only children, but Doctor Moebius steals the formula, not knowing that its effects are unpredictable.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
This animated Christmas movie is based on the classic novel of the same name.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.