The Good Deeds in ‘A Good Person’
‘A Good Person’ makes it clear that forgiveness is hard.

Jin Kaito is a hot-blooded guy with a soft spot for the weak for hot women. His job is "catch" women under the bold catchphrase: “For just 50,000 yen, I’ll escort you to paradise.” One day, he saves a girl named Yuna from a gang of delinquents. At her request, he gives her some pleasure in return. But her sexual appetite turns out to be bottomless, and even Jin, a sexual beast, is forced to flee with his tail between his legs. Meanwhile, a man called Inuzuka, from the Jōsai gang is desperately searching for Yuna. She was connected to the gang and had stolen 100 million yen in drug deal slush funds. Unaware of all this, Jin is at that very moment having a wild night at a hotel with Yayoi, a woman he picked up at a bar…
‘A Good Person’ makes it clear that forgiveness is hard.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.