Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Dochinpira 8 poster

Dochinpira 8 

Jin Kaito is back to his usual game: smooth talk, effortless charm, and a trail of lovers left behind. But everything changes when he meets Kumiko, a stunning, headstrong ex-biker girl who’s completely immune to his advances. Obsessed and intrigued, Jin refuses to give up and, when he learns Kumiko is desperate to help the man she loves pay off a crushing debt, he decides to step in, even if it means crossing the deadly Kuroiwa gang. With the clock ticking and the stakes higher than ever, Jin must risk everything to rescue Kumiko before she’s shipped out of the country.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Jin Kaito is back to his usual game: smooth talk, effortless charm, and a trail of lovers left behind. But everything changes when he meets Kumiko, a stunning, headstrong ex-biker girl who’s completely immune to his advances. Obsessed and intrigued, Jin refuses to give up and, when he learns Kumiko is desperate to help the man she loves pay off a crushing debt, he decides to step in, even if it means crossing the deadly Kuroiwa gang. With the clock ticking and the stakes higher than ever, Jin must risk everything to rescue Kumiko before she’s shipped out of the country.

Rating:
Genre:Action, Crime
Directed By:Shinobu Murata
Written By:Yoichi Maekawa
In Theaters:
Box Office:

Runtime:72 minutes
Studio:Softgarage

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger