Jin Kaito is back to his usual game: smooth talk, effortless charm, and a trail of lovers left behind. But everything changes when he meets Kumiko, a stunning, headstrong ex-biker girl who’s completely immune to his advances. Obsessed and intrigued, Jin refuses to give up and, when he learns Kumiko is desperate to help the man she loves pay off a crushing debt, he decides to step in, even if it means crossing the deadly Kuroiwa gang. With the clock ticking and the stakes higher than ever, Jin must risk everything to rescue Kumiko before she’s shipped out of the country.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
This reboot of The Wonder Years is told from the lens of a Black man.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
