Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

Footage of a sunny village square in Sardinia leads to humorous, philosophical reflections on reality and the role of the ‘objectively recording’ documentary maker. Van Gasteren sees the square as a backdrop in his film, and the chance passers-by as extras. Then, as a ‘director of reality’, he gives an ironic commentary on what he sees. “For a moment I thought, from what source of information am I thinking up what I see. Or, did I just see exactly what I thought.”
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.