"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

Djibril, nicknamed Djib, is a 13 year old black teenager, a rebel of the 90s, who lives with his grandmother in Asnières. He has a strange philosophy that he has posted above his bed: "A black person must never let himself be called the n-word by someone other than a black person, it's the worst insult". He is in love with Joséphine, an "Arab-Gauloise fatou" and decides to offer her a dream vacation.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
The tragedy of Macbeth got Oscar nominations for Best Actor, Production design & cinematography. The Tragedy of Macbeth - Oscar film offers an etheric and atmospheric take on the reins cast on one of Shakespeare's most iconic poems.
Emily and Stephanie are back... just add gin and drama.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.