After their marriage, a young couple are astonished to find their privacy invaded by strangers through an absurd order from the Housing Authority. The state institution orders the newlyweds to cede a room in their apartment to an unknown person. And the only solution to use their home as they please is... divorce. But in court battles, divorce takes on dimensions no one expected...
Andrei Blaier
Director
Horațiu Mălăele
matematicianul Dan Cantemir
Emilia Popescu
Angela Cantemir, soția lui Dan
Dorina Lazăr
avocata Nicoleta Dumitriu
Gheorghe Dinică
avocatul Flavius Prună
Andrei Finti
medicul Eduard Mezincu
Coca Bloos
judecătoarea
Ruxandra Sireteanu
Venerica Dulamă, șefa Biroului de Cadre
Magda Catone
martora Mica Florea, soția poetului
Camelia Zorlescu
martora Alice Corbu
Virgil Andriescu
inginerul Dorel, cumpărătorii mașinii
Florin Anton
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.