Women migrant workers from Mexico stand by the roadside and hope to find some work, the same way crowds of unemployed Americans used to stand during the Great Depression. One of them, Fernanda, gets lucky - she is hired into a Hasidic family. There Nechama, a young mother who becomes suspicious that Fernanda is lazy, discovers that a chauvinistic Jew from the recruiting agency doesn’t pay the cleaning lady. Fernanda explains herself in broken English, and even though she and her new friend might not be able to obtain any justice, they at least will be capable of revenge. Mutual understanding will prove to be stronger than the class division of society, as is right and proper. Isn’t this the kind of reconciliation across genders and cultures that the United States, and subsequently the entire world, are hoping for?
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
