
A film about the life and work of the Macedonian dissident Dragan Bogdanovski, one of the most famous Macedonian political emigrants after 1945. His contemporaries speak about Dragan Bogdanovski, as well as documents, daily press, and photographs. The film uses both live action sequences and authentic footage of Bogdanovski (audio and video).
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.