A director starts from a disturbing provocation to explore, in the tone of a fable, the boundaries between motherhood, desire, and identity. At the center is Selma, a mother consumed by jealousy, who spirals into delusions and imagined rivalries after discovering signs of her son's sexual life.
Have a Good Trip offers a rather balanced look at psychedelic use. While its main narrative is the stories of recreational use by celebrities, it does delve into the medical history of psychedelics and its use in psychotherapy.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
