Twin Peaks: Why LGBTQ Ally Depiction is Crucial
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.

David Randall may be a schizophrenic, but he's no murderer -- at least that's what he claims. Having served time for two killings he swears not to have committed, Randall is now home, medicated and attempting to start a new life. But that proves difficult when the masked figure he sighted at the scene of the murders is back; a friend is in danger; and everyone seems to believe that he's the real threat in this chiller from Jack Thomas Smith.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
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The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.