Mitch Downe From "Paranorman" Is Awesome Gay Representation
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.

How well can movies reproduce the reality we see? Cinema used to record and reproduce the movements of the scene using a camera (photograph), a device that records the scene in terms of perspective. Is it true? Isn't it possible that our way of seeing things, on the contrary, was created by photographs and movies, or by paintings based on perspective that existed before then? This film provokes the way of viewing films cultivated in this way.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.