Born Reginald Dwight on 25 March 1947, he was something of a child prodigy and would go on to become a prolific songwriter and one of Britain's most accomplished and acclaimed musicians, selling out tours the world over. His humanitarianism has been suitably honored, and he has continued to contribute extensively to the music industry. Writing songs for the1994 animated film The Lion King, he later he adapted The Lion King for Broadway and in 2005 he composed music for a West End stage production of Billy Elliot. This documentary takes a look at his long and successful career, exploring his greatest hits with the help of leading industry figures.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
The iconic title character stars in her own horror and gothic TV series.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
