When director Isabella Kolb learned that her great-great-uncle was imprisoned in Stutthof, the first German concentration camp established on Polish soil during the Second World War, she begins an investigation into his story and the camp's little-known history. Despite its significance, Stutthof remains one of the least documented sites of Nazi persecution, leaving families of its victims with lingering questions. Through witness testimonies and archival traces, the film follows Kolb's search for Uncle Edmund and the lives of those who endured Stutthof, offering a quiet reflection on memory, loss, and the lasting echoes of trauma that continue to shape the generations that followed.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
